Each individual artist uses and sometimes designs his or her own tools. In addition to solo exhibitions of individual street artists such as Declarations by el-Seed, [87] a number of group exhibitions, showcasing the social and political importance of calligraffiti have been mounted by prestigious art museums and galleries have mounted exhibitions dedicated to street art and calligraffiti. Islamic tradition greatly encouraged the development of calligraphy as an art form in order to assist religion began to spread. It can be classified as either abstract expressionism or abstract vandalism. Similarly, Askar’s piece entitled “Palestine” cannot be separated from the political weight the word “Palestine” holds; nor can his piece that says “salaam” meaning peace , that is shaped like a key, escape the symbolism of the key in the Palestinian occupation. Calligraffiti, as art, has the power to influence society and the people who are exposed to it.

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She defined calligraffiti as the use of “script of ordinary writing where the work is composed of the artist’s personalised handwriting within a modern composition. Webarchive template wayback links CS1 maint: He completely revolutionized the art of calligraphy. Calligraphy was impacted by the abstract movement in the s and s with the introduction of the Hurufiyya movement in the Arab world and the Saqqa Khaneh movement in Iran.

On the callibraffiti hand, basic shapes and splats become language. Graffiti and unauthorised signage Calligraphy. It is defined as a visual art that integrates letters into compositions that attempt to communicate a broader message through writing that has been aesthetically altered to move beyond the literal calligarffiti. There calligragfiti been a rise in Arabic calligraffiti outside the Middle East and by non Middle Eastern artists.


While graffiti has never been widespread in the region, it has spread with the rising dissidence against Middle Eastern dictatorships and authoritarian regimes.

Calligraffiti -When Graffiti Meets Calligraphy –

He often questions contemporary identity, philosophy, and history in Iran, which can be seen in his piece calligrafiti the Iranian diaspora that features a headless deer. Many artists use calligraffiti to reconnect with cultural and historical identities that they lost, or as a way to find a new identity. Many calligrafitti artists use Arabic script or are heavily inspired by it. The origins of the term, “calligraffiti” are unclear.

His calligraffiti is meant to portray the city in a positive light, repair social ties and breathe life into a broken society. Protesting political affairs has been the subject of much of the graffiti in the region, and calligraffiti has not escaped this. The spread and evolution of calligraphy can be traced very specifically throughout Islamic history as it is inherently tied to the spread of Islam itself. He says his style developed from his struggle calligravfiti fit in; the feeling that while he was not French, he was ca,ligraffiti fully Tunisian either.


The group has already grown since its inception and includes artists from all over the world. Retrieved from ” https: Calligraffiti at Leila Heller Gallery – artcritical”. Part of what differentiates calligraffiti from calligraphy is its freedom from rules. From the civil war in Beirut, to the Palestinian intifadas, to the Arab uprisings, calligraffiti has become a mechanism for social and political protest—where letters become symbols. Use of the term, however, predates the contributions of Niels Shoe Meulman by at least thirty years.


This can partially be attributed to the richness of Arabic calligraphy compared to other scripts. A fusion of graffiti and calligraphy against intolerance”.

The use of Arabic calligraphy has been a typographic decision by many artists who seek to reinvent the aesthetic. Calligraffiti is an art form that combines calligraphytypographyand graffiti.

Archived from the original on The civil war created a deep fragmentation within the Lebanese society and a sense of amnesia that Halwani sought to fight against. The widespread use of Arabic calligraphy outside the Middle East is often a result of political and social dynamics. The quote reads “Oh humankind, we have created you from calligraffit male and a female and made people and tribes so you may know each other”; it attempts to break stereotypes and opens a discussion around the place of art in Islam.

As a result, artists like Julien Breton and L’atlas have adopted the Arabic script style.


The inevitability of leaving things behind, by Yazan Halwani, Mannheim, Germany, Hassan MassoudyHossein Zenderoudi and Parviz Tanavoli were some of the pioneers of this new era of calligraphy. Development and Continuity, University of Florida Press,pp ; it should be noted that not callgraffiti art historians classify Shakir Hassan Al-Said in calligeaffiti list of calligraffiti artists. The Canadian painter, Brion Gysin used the term in his final exhibition, Calligraffiti of Fire held at the Galerie Samy Kinge in Paris between 19 April and 19 May in and the term was also used as the title of the book which accompanied Gysin’s exhibition.

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